Beirut Snapshots: contemporary oriental music meets studio 54 and Lebanon’s Costa Concordia

Back to work yesterday after a weekend which cannot really be called a break from work, but was nevertheless a lot of fun. After a busy but very enjoyable week at the Daily Star, where I had the opportunity to write lots of culture articles, I spent Friday night baby-sitting. Samuele is used to me by now, which makes life easier when it comes to getting him to sleep. I am growing to love him dearly, though I do think he thinks he’s a dog, as evidenced by his reaction when I try to wash his face which is to lick me enthusiastically. He also took his chance while I was reaching for the towel and decided the simplest way to dry his face was just to wipe it energetically on the shoulder of my jumper, while attempting to chew it at the same time, thus proving his ability to multitask.

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Healing Images – Beirut’s Graffiti

A couple of people expressed interest in seeing more of Beirut’s graffiti. In my previous post on Beirut’s Street Art I posted pictures of the art around Hamra and Gemmayzeh, two central, residential districts of Beirut. In the process of researching my article on graffiti in Beirut for Hibr online I subsequently made a trip to Karantina, one of Beirut’s industrial areas out by the port, in order to photograph the graffiti art there, which is a lot bigger and more impressive, as artists go there to bomb the ugly concrete walls along the main road in and out of Beirut so that people see their work on their boring commutes to and from work from Northern Lebanon.

A skeleton road-sweeper surrounded by ravens on the side of a bullet-ridden building

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